![]() Most live radio isn’t actually live, but is instead broadcast seven seconds after it happens in real life. The bleep was devised so radio stations could cover up swear words just in the nick of time. The first bleep was created by radio broadcast engineers using an oscillator, a piece of equipment that creates test tones and is built into most broadcast radio control boards. By this point, radio and TV was regulated by the Federal Communications Commission, who had the power to dish out fines for any content they found indecent, giving rise to the bleep button. ![]() By the 1950s radio had gone fully professional, with big national broadcasters reaching everyone in America, and it was joined by a dynamic new flash-in-the-pan invention called TV. After years of newspapers and the telegraph, now, even the smallest local radio station could broadcast voices into hundreds or even thousands of homes. In the 1920s, in America, radio was the hot new thing. But there are other options, too, like silence - so why did this particular *bleep* sound become ubiquitous? There’s a particular one-kilohertz tone that is universally understood to be covering up inappropriate words on radio and TV. You’ll likely know within the first fifteen seconds if this episode is appropriate for your children. Opening hours are Monday–Thursday 10am–7pm, Friday–Saturday 10am–8pm, Sunday 10am–6pm.Note: This episode contains references to adult language, and might not be suitable for younger listeners. Aside from Melodies, other in-store events and weeklong takeovers including album launches, DJ sets, talks, demonstrations include Bleep × Magicwire (15 November), Bleep × NTS Radio (1 December), Bleep × Black Focus (7), Bleep × Brainfeeder (14), Bleep × The Wire (12 January), and Bleep × Resident Advisor (19).īleep X can be found at 529 Kingsland Rd, E8 4AR. The shop will be open from 10 November with its first instore happening the following day with the label Melodies International. The shop will run in partnership with NTS Radio, Brainfeeder, Resident Advisor, Black Focus, and us at The Wire. “We are keen to see what this experiment brings and let the next three months guide where this goes.” ![]() We've had so many positive and supportive responses when news started spreading that we was doing this.”īut why now? “Who doesn't love a good record or musical item just before Christmas? Also, we think this is an interesting time for music retail and we wanted to try something out in a shop setting. It is 1200 square foot and going to allow us to explore live music, DJ sets, talks, Q&As, screenings and most importantly a real life interaction with both the artists, labels but also the customers that have been a part of Bleep's 14 year history. “This shop is an opportunity to bring a new angle to a lot of these relationships.” He continues: “We are starting to explore things we have never been able to do with this physical space. “We work with so many different artists and labels closely, selling and promoting their music on the Bleep store," confirms Chaudhuri. When we stumbled across this Dalston space – we knew it was perfect.” “However, the space itself and who we do this with is very important to us. “It is something Bleep have been wanting to do for a while and have been looking at spaces and exploring avenues for a while now” says music programmer Raj Chaudhuri. It's called Bleep X and currently plans to open for a period of three months. Taking up the space of a former hair salon, the Warp affiliated shop took only two weeks to transform into a fully-functioning record store. has opened up a physical store on London's Kingsland Road in Dalston.
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